Treasures of the High Baroque

Peninsula Summer Music Festival concert seriesarts-review-by-jade-logo-black-background_001

12 January 2017 at 7:30pm

Music of the High Baroque by German composers J.S Bach, G.F Handel and G.P Telemann

Performed by Genevieve Lacey, Jane Gower and Lars Ulrik Mortensen


For the past two weeks, the Mornington Peninsula has been bustling with internationally-based musical masters performing concerts as part of the annual Peninsula Summer Music Festival. Among them, are Lars Ulrik Mortensen and Jane Gower, artistic director and bassoonist of Concerto Copenhagen respectively. Ulrik Mortensen and Gower have travelled all the way from Denmark to perform a concert with Australian recorder virtuoso, Genevieve Lacey at the Morning Star Estate in Mount Eliza.

On arrival at Morning Star Estate, I was not quite sure what to expect. What is so ‘treasured’ about music of the High Baroque, and what does that term really mean? Is the concert going to be inside or outside in the gardens?

Morning Star Estate – Vista of Port Phillip Bay

The concert was held in the Ballroom at the Estate, a large and pretty room, ideal for functions and entertaining, but somewhat dry acoustically, especially for a small group of Baroque style instruments. The harpsichord, Baroque bassoon and recorder are relatively quiet instruments that are inherently limited in how loudly they can project their sound. Thankfully, this was offset by the full experience of the broader venue and the skills of the musical performers.

Morning Star Estate ballroom

The Estate’s breathtaking sea vistas and large sweeping gardens, which I enjoyed before and after the concert, allowed me to ‘breathe in’ the many joys of summer, creating a unique sensory experience to complement the concert. There was also historic buildings to admire and local wines to try.

This is part of the delight and intention of the Festival. That is, holding concerts at venues that have a broader artistic and sensual appeal than simply the music alone. Furthermore, it was wonderful to see so many people of all ages attending the concert, as we are very fortunate to have such musical masters brought to our doorstep each year, especially the aforementioned Baroque artists.

If you peruse the net, you will find that Baroque is an artistic culture and style that emerged in Europe from the 1600s to the mid 1700s. The Italian word barocco, meaning bizarre or exuberant, as well as the Portugese term barroco, meaning ‘misshapen pearl’, provide us with some understanding. In any case, the style is about opulence, decoration and adornment of highly organised and ordered patterns in music and art. There is an intention of sensual appeal, as opposed to intellectual, flourishing in the period known as ‘High Baroque’.

Vierzehnheiligen Basilica – 18th Century German Baroque

During this period, it was common for musicians and composers to travel around Europe to hear ‘new’ styles and gather ideas from each other. Though our featured concert composers, J.S Bach, G.F Handel and G.P Telemann were all German, they too flitted about Europe to work amongst foreign musicians, like our modern performers.

The Baroque style crossed over from religious music to secular (non-religious) music, examples of which are performed in the Treasures of the High Baroque concert. It is thought that after the Reformation, the Roman Catholic Church, the major patron of the arts, began favouring art that could be understood and felt by all people, regardless of their level of education. Embellished music and ornate imagery and architecture moved people emotionally, allowing them to further explore aspects of their spirituality and self. Embodying these ideals, performers Lacey, Gower and Ulrik Mortensen, showed a great deal of virtuosity and passion, but the gentle timbre (sound quality) of their instruments and the undulating continuity of the long, highly rhythmic phrases, gave the music a delightful hypnotic quality. Continual and unexpected key changes were effortlessly woven together by the composers in each piece. These changes, expertly and precisely executed by the musicians, who were clearly enjoying every nuance, made the music unendingly interesting and entertaining in subtle and gentle ways.

Delicate, short articulation was used to create exquisite lightness of individual notes, dissolving into long, transporting phrases. The precision with which the performers synchronised their musical parts exactly together was aided by expressive body language. The musicians were as beautiful to watch as they were to listen to.

Even if Baroque music is completely foreign to you, such musical masters as Lacey, Gower and Ulrik Mortensen have devoted their entire lives to crafting their musical performance into beauty that moves people and communicates the unspeakable. These are the kinds of musicians that the Festival features annually in the first two weeks of January. Why not come and see for yourself? You might be surprised at how a master musician can inspire you. No doubt you will be delighted at how the broader experience of a Peninsula concert venue, with a beautiful garden, panorama or historic building, will enable you to soak up the feeling of summer and wonder about music and life in new, deeper and more joyful ways.



Lacey, Gower and Ulrik Mortensen have produced a recording of Telemann Sonatas, Sonatinas and Fantasias on the ABC Classics label in 2016


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Copyright © 2017 Jade Barker

White mural delights Hastings residents


In the Mornington Peninsula seaside town of Hastings, artist Simon White has charmed community residents with his beautiful new mural depicting scenes from the town’s history. The mural is the latest in a series of public art pieces created in this location since April 2014 as part of the ‘Adopt-A-Hotspot’ project, aiming to “prevent and reduce the incidents of graffiti and property damage in the Hastings community”.

This ‘Hotspot’, turned public art space, is a walkway between the Woolworths carpark and Main Street, beautifying the external wall of Terry White Chemist.


The mural is made up of seven maritime scenes, separated by angular lines. Each one focuses on people, places, animals and boats that are key icons of Hastings’ heritage.


These include the Mirabella family who arrived in Hastings in 1880; the Lothian family from c. 1890; Hastings Fish Shed built in 1866 and restored by John Wooley in 1988, accompanied by resident pelicans; a family in a fishing boat with dolphins swimming beneath the water; Jack Sheehan and his fishing boats; young people in swimming attire at Hastings foreshore c. 1907; and a scene of a fishing family building a wooden boat with one man proudly holding up the catch of the day.

This wonderful project was initiated by Councillor David Garnock in 2014 and continues to be supported by the Mornington Peninsula Shire Council (MPSC), Westernport Chamber of Commerce, Sheldon Headspeath, Brett Cardwell and Hastings Police.


This project not only prevents property damage but enriches the cultural landscape of the area, contributes to wellbeing and gives all members of the community free access to the joy of art. As I was taking photos of the mural, several residents stopped to tell me how much pleasure the mural gives them as they walk through their town. Supporting the ‘Hotspot’ project indefinitely, as part of the Shire’s Cultural Strategy, will not only delight the community, but build a legacy of public art and historical acknowledgement in Hastings both present and future.

Copyright © 2017 Jade Barker